About a month ago I posted
my thoughts on creativity in relation to abundance and how I find the abundance of material things to inhibit creativity. As with everything, this isn't universally accurate but it proved to be spot on for me.
For years I have been buying jewellery
and sewing related supplies, notions, tools, etc. My stash was expanding exponentially. It got to the point where I couldn't start any project without first buying something new. I've completely stopped buying fabric in August after realizing my supply was fast approaching 3 digit number in meters of fabric. Ouch!
But fabric is easy. I have a folder on my computer with pictures and dimensions of all the fabric in my stash. Beads are tricky. It's so easy to store them. They take very little space and somehow it always seems the amount of beads has doubled without really noticing it.
And then I had one of those moments of clarity when it hit me that I will always find some new fabric or unusual beads or whatever. So I made a decision not only to stop buying new supplies for a while but also to stop looking.
Working in a vacuum without outside sensory input was a bit weird at first but as it turned out it was essential for my creative process. Being constantly surrounded by images of other people's work as well as pining over new beads had completely numbed me.
The other problem I had was hoarding my "special" beads for a project worthy of their beauty. This tiger eye faceted pendant is a typical example. I've been holding on to this one for 5 years now.
I always knew I'd turn it into a necklace but could never find coordinating beads. Two days ago I paired it with the black beads and the helix crystals but didn't have nearly enough for a whole necklace. I was about to go back on my word not to buy new beads before I dug out the bronze seed beads. Turns out they were perfect for this project.
I made earrings using polymer clay beads I made
in February. Completely and utterly weird but strangely lovable, I hadn't a clue what the heck to do with them.
And finally, a typical example of my bead tray: lots of blue, lots of ordinary round beads and some silver metal findings. I also have a great love of shell and mother of pearl beads. I was resolved to turn this tray of dull beads into something extraordinary.
It took me five hours and some re-shuffling but I came up with this completely out of the box necklace:
It's definitely eclectic but I don't think it looks awkward or forced.
After three days of intense beading I've learned that my beads are neither plain nor boring. The only thing obstructing my creativity was my perception of my supplies. As always I'm looking into different ways to combine colours and my designs are becoming bolder.